Is the sound engineer only regulating the audio equipment? Of course not. To become an advanced stage sound engineer, you not only need to have a wide range of expertise in electronics, acoustics, sound, natural sound effects, and electro-acoustic technology, but also have a certain musical knowledge and artistic accomplishment. The so-called acoustic aesthetics is a study of the extent to which various sounds have an impact on people. It can be said that a sound engineer who does not have sound aesthetics is not a good sound engineer. 
Sound engineers need to have a deeper artistic accomplishment
For the opera stage sound engineer, the biggest goal is to use the sound equipment that is usually in the hands of the hands to complete the re-creation of the works of art. For the stage sound engineer, the face is natural sound, vocals, music and complex listening environment, the pursuit of a beautiful sound, to make the sound harmonious and pleasant, not to have a certain artistic accomplishment and sound aesthetics is Hard to do. In the production and reproduction of stage plays and stage performances, a large part of the use of sound to shape the artistic image. This sound of shaping the artistic image is not chaotic, but organized, including performance, voice, narration, contrition, melody, rhythm, beat, tone, tonality, harmony, polyphony, speed, strength, tone, etc. The basic means directly express people's thoughts and feelings, and have a special artistic appeal. It is a complete art work in itself.
The stage sound engineer is to make the stage works have artistic appeal by understanding and understanding the stage plays, using the equipment in hand, and playing the sing, reading, doing, playing and band performances of the actors to transform the works into wonderful sounds. . Specifically, a good stage work, from the creation of the script to the arrangement of the music, expresses the author's certain thoughts and feelings. The actors and band players must express their emotions with their own voices and performance techniques. Singing and playing this kind of art form to infect the audience, let the audience enjoy the art, but also deeply feel the ideological connotation of the drama. The stage sound engineer must also accurately express this emotion during the operation of the play, including the design and production of the natural sound.
This requires the sound engineer to first understand the ideological connotation of the play, and then according to the sound aesthetics, master the singer style of a repertoire and the balance, level, etc. of the band accompaniment, to make and reproduce the sound effect, only Only by doing this can you make the most of your creative potential. If you don't have a certain artistic accomplishment, you can't have a deep understanding of the works of art. It is impossible to recreate the works of art through the sound equipment you have mastered.
Sound engineers need to follow the principles of sound aesthetics
In practice, you also need to follow the principles of acoustic aesthetics. The stage sound engineer must balance the voice of the band and the actors, and have the primary and secondary in the volume distribution. The main and the accompaniment should be clearly defined, and the frequency should be adjusted in time according to the type, strength and tone of the instrument. . For example, once won the first prize in the Hunan Provincial Arts Festival, the modern drama "Ziying, its music processing, each piece of music has fluctuations and changes, for different styles of music performance and singing is not a monotonous adjustment, there is a high-profile strong stimulation, such as In the fourth game, the water showed the emotional pain, sorrow, resentment, and irritating emotions of the owner Ziying. In combination with the actual adjustment of the sound and the strength of the sound, the rich music changes were synchronized, such as: the fifth Ziying and Yunxiao’s dialogue in music, the main theme of the background is alternately played by the main strings and chords of the erhu, pipa, pipa, and dulcimer. The bass bass pad is low, and the actor’s clear dialogue is not destroyed in the sound control. The main melody of each instrument, in the melodious music, is sometimes low and swaying, sometimes exquisite and beautiful, bringing out the complex emotional changes in the inner world of the two people, making the music sound more vivid.
Modern music is different from traditional music aesthetics. Pop music uses the rhythm part as a skeleton, and pays attention to the volume of percussion and rhythm instruments. Traditional music, whether it is western music or folk music, pays attention to the balance of the overall volume and does not highlight a certain part. Therefore, in the actual operation process, the stage sound engineer should use the sound equipment in a changing manner to play the role of sound beautification.
A large part of the recording of music programs, stage performance art, etc. is carried out through audio equipment. In this way, the adjustment control of the audio equipment becomes an important part of the integrity of the entire work of art. As an operator, you should use the audio equipment you have in your hands as a means to operate your own equipment and understand your understanding of music and performance art throughout the process, thus completing the re-education of music works. Create, make the sound more beautiful and beautiful. The success of a repertoire is inseparable from the efforts of audio workers. Our audio workers should actively and conscientiously cooperate with actors and performers, and be responsible for doing their own audio work to complete the creation and expression of a stage show.
How to improve the artist's artistic accomplishment?
How can I improve my artistic accomplishment? First, I must carefully read books on sound technology and acoustics, and constantly apply and summarize experiences in my own work practices to improve my operational skills. The second is to learn the knowledge of music, listen to some world famous music, modern music, traditional music and various styles of music, to experience the sound recording methods and tuning methods of the sound engineer. The third is to make friends with a wide range of performance artists, to learn from them, to familiarize themselves with the style of performing arts, to master their characteristics, and to accumulate their own art knowledge. Through long-term and unremitting efforts, we will improve our artistic accomplishment and sound aesthetics.
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